3 sunsfinal mini

In alchemic and Hermetic traditions, suns (Sun symbol.svg) are employed to symbolize a variety of concepts, much like the sun in astrology. Suns can correspond to gold, citrinitas, generative masculine principles, imagery of ‘the king’ or Apollo, the fiery spirit or sulfur,[1] the divine spark in man,[2] nobility, or incorruptibility. Recurring images of specific solar motifs can be found in the form of a “Dark” or “Black Sun”, or a green lion devouring a sun.

Sol niger

The black sun as pictured in the Putrifaction emblem of Philosophia Reformata (Johann Daniel Mylius).

Sol niger (black sun) can refer to the first stage of the alchemical magnum opus, the nigredo (blackening). In a text ascribed to Marsilio Ficino three suns are described: black, white, and red, corresponding to the three most used alchemical color stages. Of the sol niger he writes:

The body must be dissolved in the subtlest middle air: The body is also dissolved by its own heat and humidity; where the soul, the middle nature holds the principality in the colour of blackness all in the glass: which blackness of Nature the ancient Philosophers called the crows head, or the black sun.[3]

The black sun is used to illuminate the dissolution of the body, a blackening of matter, or putrefaction in Splendor Solis,[4] and Johann Daniel Mylius’s Philosophia Reformata.[5]

At the core of this was a vision of an alchemical process occurring through a cycle of colour changes, from an initial blackness to the perfection of the quintessence.
The alchemist envisaged each stage of the process being heralded by a colour change and a meeting with certain animals.

Blackening – Black Crow, Raven, Toad, Massa Confusa.
Whitening – White Swan, White Eagle, skeleton.
Greening – Green Lion.
Rapid cycling through iridescent colours – Peacock’s Tail.
White Stone – Unicorn.
Reddening – Pelican feeding young with its own blood, cockerel.
Final transmutation – Phoenix reborn from the fire.

The phase of Blackening which usually marked the beginning of the work, was brought about either by heating the prima materia in the process of Calcination (the ‘dry way’ of the alchemists), or by the process of Putrefaction, a slow rotting or digestion over a period of weeks or months (the so-called ‘wet way’). The Black Crow or Raven was often associated with this Calcination, for on vigorous heating the calcined material would usually carbonise and layers would flake off and move like a crow’s wings in the flask. The Toad was a better symbol of the Putrefaction, the decaying mass slowly pulsating and shifting as gasses were given off, while the substance rotted down to a black mass. Another symbol of this stage was the dragon, a familiar inhabitant of the alchemists flasks. The dragon is however a more complex symbol and is also used when winged as a symbol for the spiritualising of the earthly substance. Thus to the alchemists the dragon appeared at the beginning and at the end of the work.

The alchemists paralleled these experiences in their souls as a withdrawal into the darkness of their interior space, a darkness pregnant with possibility. We have to a great extent lost the sense that still lived in the medieval and renaissance alchemists, that this darkness contained all potentialities. Like children we fear the dark, and for twentieth century humanity darkness often holds only an existential dread – philosophers of science have in the last decade brought us this terrible image of the ‘Black Hole’ which swallows up and annihilates everything that comes into its orbit. Perhaps we do not gaze enough at the blackness of the heavens. For if we look deep into the blackness of space on a clear night, we will sense more stars hidden between the known visible stars, especially in the vast star fields of the Milky Way. Cosmic space is pregnant with the possibility of other worlds as yet unseen. It is this image of blackness we must try to recover if we are to become alchemists. An echo of this perhaps remains in the often used phrase “a profound darkness”. In alchemy, to meet with the black crow is a good omen. Thus in the Chymical Wedding of Christian Rosenkreutz, as our hero sets out on his journey of transformation, he meets with a Crow which by a turn of fate decides which among the various paths open to him is the one that will lead him to the Castle of the King.

The three Suns. That above, most familiar. That within, seen in an instant, in a fleeting moment that may take a moment or a life time to see. Below the Sun at midnight. The interior Sun or Star, deep within the Earth itself.

Perhaps a supreme expression of the maxim As Above so Below. The interior pereption and exierience there in of. A hidden secret.



This I Believe:
There is a light in all of us, and the more we search out ways to express ourselves, the brighter that light shines. Whether your passion be baseball, or computers, or painting, or eating, laughing, hiking, biking, films, teaching, listening, or cooking, whenever you engage yourself in doing something that you love you make the world a little bit brighter. Through finding your own source of enthusiasm and love, you invite others to do the same in their own way, and you spread the joy that comes with truly living.
While it can be all too easy to just sit back and watch life go by, don’t forget about the things that make a difference in your life, the people that inspire you, and the dreams that help nudge you out of bed in the morning.

I believe that we all want to become a better version of ourselves, and that we are continually given chances to step up and challenge ourselves to be better. We just have to be willing to welcome those challenges, and see them as gifts rather than curses. It all depends on the perspective you choose to take. What will you choose today? Will you simply sit back, and let others take the lead, or will you step up and conquer your fear and indifference, break out of your shell, and take actions that better yourself and the world? I believe that what you focus on grows: the more you complain, the more reasons to complain will appear; the more you see life as a blessing, the more blessings will pour out into your waiting arms. Rejoice in what life has to offer, and help to open others’ eyes the the beauty and opportunity that surrounds us at every moment. We are given a great power: free will. Because of this power we are always given a choice. We may not be able to change our outer circumstances (at least not in the short run), but we can always change the way we think about something. The power of the mind is incredible! It can drag us down into the depths, or it can liberate us! Find the joy in your life today–take a chance, challenge yourself and see the resulting growth, dare to become more alive! And best of all, as you become a brighter light, so will those around you catch your reflection, and the world will be filled with suns, moons and stars…

The formula of spagyrics is similar to that of Solve et Coagula – to separate and recombine. This is the backbone of alchemy. In slightly less basic alchemical procedures, distillation is used to separate organic matter into these three principles using distillation – yielding unpurified salt in the form of black ash, essential oil, and the spirit of the plant. These are each purified after separation, and recombined, creating a purified instance of the original subject which is then consumed.

Freedom is not achieved by turning our backs upon the heritage of the land, nor is it won by force of arms. The restricting vessels of a true tradition are the way to freedom, but only if they are correctly understood and utilized. If this operation is successful, the restricting power itself is not only transcend, but transformed.

–The UnderWorld Initiation

Re-reading the underworld initiation. Just finished the hidden adept which was a fun book. Debating whether to read some Gersholm Sholem, Ibn Arabi and/or fiction about cats…..

The liberation mentioned above is a spiritual union if all opposites and transcended. The UnderWorld tradition is a universal one found world wide. The Orphic mysteries, sleeping beauty, the Cult of Venus and the Goddess in her tomb. Transformation within the very depths of the earth, within and without…

As we know in Hermeticism, “As above so below” The macro and microcosm. Transformation in the depths of the earth then is seen on a stellar, solar, lunar scale.. within this lunar scale is ourselves.  Visita Interiora Terrae Rectificando Invenies Occultum lapidem. Visit the interior of the Earth through purification you will find the hidden stone.

I realised, it is this aspect that I must initially explore in the home I live in. Misplaced from England and New york city, now in this spiritually, botanically unfamiliar land. To truly work here, I must work here. Therefore I must pass through the inverted tree, downwards into wonderland… to the realms below.

They summoned Eurydice and gave her to him, but upon one condition: that he would not look back at her as she followed him, until they had reached the upper world. So the two passed through the great doors of Hades to the path which would take them out of the darkness, climbing up and up. He knew that she must be just behind him, but he longed unutterably to give one glance to make sure. But now they were almost there, the blackness was turning gray; now he had stepped out joyfully into the daylight. Then he turned to her. It was too soon; she was still in the cavern. He saw her in the dim light, and he held out his arms to clasp her; but on the instant she was gone. She had slipped back into the darkness. All he heard was one faint word, “Farewell.”

I must embrace the Rose, meet the natives of the land….


From this it is plain that the Earth is like the bass above which the rest of the harmony of the universe progresses. If it were removed, the other voices would remain in an unpleasant and imperfect harmony of many dissonances. Believing sufficient to have been said on the universal symphony of the planets, we will now turn to the particulars of their symphony.

Athanasius Kircher

While romanticized literature describes the Grail as a chalice, this is a much later derivation, extrapolating from Celtic tradition in which the Grail is described as a platter. Many vessels would have passed through the hands of Jesus in his short lifetime…probably humble clay and wooden bowls such as the famous Nanteos Bowl. This medieval relic, long kept sequested in Wales, is thought to be made of olive wood, and was originally revered in Glastonbury Abbey. According to tradition it was secretly carried away to avoid plundering by agents of Henry VIII. The Nanteos relic is a fragment of wooden bowl credited with miraculous healing powers, with well-attested healing effected as recently as the 1950’s. This also is not the Grail, such a humble vessel with proven powers would perhaps be a stronger candidate for having been used by Jesus. Many manifest vessels can hold Grail power, according to human intention, attunement, and practice, but no single one is the Grail itself.

The Hidden Adept & The Inner Vision


A  Parable of the Spirit

St Joseph of Arimathea




If this metaphysical space is to be known,

such knowledge can be attained only by faith and grace,

not by ‘entering’ but by ‘being entered’

-this is so because the greater must reveal itself to the lesser.

Put differently, that which is immanently ‘Spirit’ can only be known receptively,

through its own intellective vision, and not any derivative faculty such as reason,

feeling or sensation. Reason can only discern conceptually,

at best reducing reality to a dualism of subject and object

(as in the case of Descartes) or catagorical postulate

(as in the case of Kant) or dialectic process

(as in the case of Hegel) – its ‘telos’ will tend to be utopian(as in the case of Marx),

fundamentalist( as in the cases of religious, political or secular dogmatism)

or anthropocentrically consencual (as in the case of Rousseau’s social contract);

while sensation or feeling even where elevated to

the level of empirical ‘science,’ can only discern reality as matter or as psyche,

quantitatively, thereby cutting it off from its transcendent

and qualitative roots, leading to an emphasis on hypertrophic subjectivism

(as in the case of Nietzsche), Psychologism(as in the case of Freud),

or reductive positivism(as in the cases of philosophical positivism and of scientism).

That which transcends us cannot be known reductively

but only by that transcendent faculty which is immanent in us-which in

Tradition is termed the ‘Intellect’

or the Self-knowing Spirit. To know is to discern BEING.

We must empty ourselves or our ‘self’ in order to know who we ARE.

We must return to the sacred emptiness of the space that is our

ontological core in order to know that which truly IS.

–M Ali Lakhani (the Distance between us, found in Sacred Web issue 31) Church of St Mary Magdalene, Chewton Mendip
Church of St Mary Magdalene, Chewton Mendip

In the Western world, a strong belief in the objective truths of religion, which are viewed as incontrovertible, demonstrable facts, is regarded as essential to the life of faith. When asking if somebody is religious, peo- ple often inquire: “Does he or she believe?” as though accepting certain credal propositions was the prime religious activity. Indeed, faith is equated with belief, but this equation is of recent provenance. Origi- nally the meaning of the word faith was akin to trust, as when we say that we have faith in a friend or an ideal. Faith was not an intellectual position but a virtue: it was the careful cultivation, by means of the ritu- als and myths of religion, of the conviction that, despite all the dispirit- ing evidence to the contrary, life had some ultimate meaning and value. The Latin word credo (translated now as “I believe”) seems to have de- rived from the phrase cor dare: to give one’s heart. The Middle English word beleven meant to love. When Christians proclaimed: credo in unum Deum , they were not so much affirming their belief in the existence of a single deity as committing their lives to God. When St. Anselm of Can- terbury prayed in the eleventh century: credo ut intellagam (“I have faith in order that I may understand”), he was not blindly submitting to the doctrines of religion in the hope that one day these incredible asser- tions would make sense today, if he abdicated his critical intelligence. His prayer should really be translated: “I commit myself in order that I may understand.” The meaning of dogma would only be revealed when he lived a fully Christian life, embracing its mythology and rituals whole- heartedly. This attitude is foreign to modernity. Today people feel that before they live a religious life, they must first satisfy themselves intel- lectually of its metaphysical claims. This is sound scientific practice: first you must establish a principle before you can apply it. But it is not the way that religion has traditionally worked.
Karen ARmstrong (Faith an Modernity)




Soaring upwards
Can be like reaching down

Pushing forward

Can be like pushing back

Going right

Can be like Going left

Within is within

All things begin

And end at the cross roads

–GraalBaum 2013



This world-mountain was Nizir to the Chaldeans, Olympus to the Greeks, Hara Berezaiti to the Persians of the Avesta, the later Alborz and Elburz; a transfer, as says Mme. Ragozin, of ‘mythical heavenly geography to the earth.’ This mountain—the solar hill of the Egyptians—we shall again refer to in the next two or three chapters. At its apex springs, the heaven tree on which the solar bird is perched. From its roots spring the waters of life—the celestial sea, which, rushing adown the firmament, supplies the ocean which circumscribes the earth or falls directly in rain. At their fountain these springs are guarded by a goddess. In Egypt Nut, the goddess of the oversea, leans from the branches of the heavenly persea and pours forth the celestial water. In the Vedas, Yama, lord of the waters, sits in the highest heaven in the midst of the heavenly ocean under the tree of life, which drops the nectar Soma, and here, on the ‘navel of the waters,’ matter first took form. In the Norse, the central tree Yggdrasil has at its roots the spring of knowledge guarded by the Norns, the northern Fates; two swans the parents of all those of earth, float there. In Chaldea the mighty tree of Eridu, centre of the world, springs by the waters. The Avesta gives a very complete picture—Iran is at the centre of the seven countries of the world; it was the first created, and so beautiful, that were it not that God has implanted in all men a love for their own land, all nations would crowd into this the loveliest land. To the east somewhere, but still at the centre of the world, rises the ‘Lofty Mountain,’ from which all the mountains of the earth have grown, ‘High Haraiti;’ at its

summit is the gathering place of waters, out of which spring the two trees, the heavenly Haoma (Soma), and another tree which bears all the seeds that germinate on earth. This heavenly mountain is called ‘Navel of Waters,’ for the fountain of all waters springs there, guarded by a majestic and beneficent goddess. In Buddhist accounts, the waters issue in four streams like the

Eden from this reservoir, and flow to the cardinal points, each making one complete circuit in its descent. In the Persian Bundahish there are two of these heavenly rivers flowing east and west. To the Hindus the Ganges is such a heavenly stream. ‘The stream of heaven was called by the Greeks Achelous.’ The Nile in Egypt, the Hoang-Ho in China, and the Jordan to the Jews, seem to have been celestial rivers. This mountain of heaven is often figured in Christian art with the four rivers issuing from under the Throne of God.

Sir John Maundeville gives an account of the earthly Paradise quite perfect in its detailed scheme. It is the highest place on earth, nearly reaching to the circle of the moon (as in Dante), and the flood did not reach it. ‘And in the highest place, exactly in the middle, is a well that casts out the four streams’—Ganges, Nile, Tigris, and Euphrates. ‘And men there beyond say that all the sweet waters of the world above and beneath take their beginning from the well of Paradise, and out of that well all water come and go.


It is precisely the challenge involved

in using inadequate words

that drives the mind

beyond all words…

At the borders of speech

we open ourselves

to the positive value of silence….

Literary reading,

through its complexity, its music,

its suggestiveness, points to a fuller realm of being.

–Edward k Kaplan (citing Abraham Joshua Heschel)

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