If WE REALLY want prayer, we’ll have to give it time. We must slow down to a human tempo and we’ll begin to have time to listen. And as soon as we listen to what’s going on, things will begin to take shape by themselves.

–Thomas Merton

……………………………………………….

How shall I pray to you, Barbelo,
The nameless and unknowable,
The Infinite and Eternal,
Self-generating, Self-begetting,
Mother and Father,
Holy One –

Your name is no name,
It is only an indication,
Your being is No-Thingness,
Yet you are ground of all;

If anyone speaks of you, it is a lie,
And prayer to you is surely a deception,
For you are the Hidden God, the Alien God,
Whom no mortal has ever seen at any time –

Those who worship you, do not know you,
But those who know you, they understand perfect worship,
There is no offering you invoke, no rite that you demand,
There is no law that you give but the freedom of will,
Your Messenger has spoken clearly, saying,
“Worship the Most High in spirit and truth.”

You are Agatho Daimon, the Great Spirit,
You are the Virgin of Light, the Bornless One,
Emanating the Human One of Light and Sophia,
And all of the Immortals of the Pleroma –

Through these you reveal yourself and impart your Divine Gnosis,
Yet, as you are in yourself, you are the Great Unknown, the Unmanifest;
If there is a prayer to you it is your Holy Spirit in me that prays, the Divine I Am,
For only the Perfect can invoke your Holy Name and pray in your Divine Presence
All in the Speaking Silence of Primordial Meditation,
A prayer of Pure Being, the Great Seth: Amen.

A Gnostic Prayer to Barbelo

Tau Malachi, Sophia Fellowship, Ecclesia Pistis Sophia O. S. G.

………………………………………………….

You yourself must be purifiers and redeemers of your soul, which is established in every place, so that you may be reckoned in the company of the Fathers of Light…of the Kingdom in the New Aeon, in the place of Joy.

Mani

 

………………………………………………………………………Barbelo (BARBHLW): Generally the first aeon, body or voice in the Sethian creation myth; “the first virginal emanation,” it may have an androgynous connotation, but represents a Gnostic version of Yin, and Yang, and the sexual energy called ‘Jing’. (See Allogenes, Tractate 3, Codex XI, of the Nag Hammadi
Lib. See also: Pistis Sophia, Ch. 8, BK 1, Askew Codex. See also: ”Apocryphon of John,” ”Marsenes,” ”The Gospel of the Egyptians,” ”Melchizedek,” ”TheGospel of Judas,” Trimorphic Protennoia,” ”The Three Steles of Seth, and Zostrianos”) “I cast into her the first power which I had received from the
Barbelo, which is the body which I wore in the height.” (”Pistis Sophia”) ”And I saw holy powers by means of the Luminaries of the virginal male Barbelo telling me that I would be able to test what happens in the world:” (Allogenes) ”Great is the first aeon, male virginal Barbelo, the first glory of the invisible Father, she who is called perfect.” (”The Three Steles of Seth”) ”O Mother of the aeons, Barbelo! O first-born of the aeons, splendid Doxomedon Dom[…]! O glorious one, Jesus Christ!’ (”Melchizedek”)

“She requested from the invisible, virginal Spirit – that is Barbelo – to give her FOREKNOWLEDGE. And the Spirit consented. And when he had consented, the foreknowledge came forth, and it stood by the FORETHOUGHT; it originates from the thought of the invisible, virginal Spirit. It glorified him and his perfect power, Barbelo, for it was for her sake that it had come into being.

“And she requested again to grant her INDESTRUCTIBILITY, and he consented. When he had consented, indestructibility came forth, and it stood by the thought and the foreknowledge. It glorified the invisible One and Barbelo, the one for whose sake they had come into being. “

And Barbelo requested to grant her ETERNAL LIFE. And the invisible Spirit consented. And when he had consented, eternal life came forth, and they attended and glorified the invisible Spirit and Barbelo, the one for whose sake they had come into being.

“And she requested again to grant her TRUTH. And the invisible Spirit consented. And when he had consented, truth came forth, and they attended and glorified the invisible, excellent Spirit and his Barbelo, the one for whose sake they had come into being.

“This is the pentad of the aeons of the Father, which is the first man, the image of the invisible Spirit; it is the forethought, which Barbelo, and the thought, and the foreknowledge, and the indestructibility, and the eternal life, and the truth. This is the androgynous pentad of the aeons, which is the decad of the aeons, which is the Father. Apocryphon of John

The Barbelo

This Gnostic figure, appearing in a number of systems, the Nicolaites, the “Gnostics” of Epiphanius, the Sethians, the system of the “Evangelium Mariae” and that in Iren., I, xxix, 2 sq., remains to a certain extent an enigma. The name barbelo, barbeloth, barthenos has not been explained with certainty. In any case she represents the supreme female principle, is in fact the highest Godhead in its female aspect. Barbelo has most of the functions of the ano Sophia as described above. So prominent was her place amongst some Gnostics that some schools were designated as Barbeliotae, Barbelo worshippers of Barbelognostics. She is probably none other than the Light-Maiden of the Pistis Sophia, the thygater tou photos or simply the Maiden, parthenos. In Epiphanius (Haer., xxvi, 1) and Philastrius (Haer., xxxiii) Parthenos (Barbelos) seems identical with Noria, whoplays a great role as wife either of Noe or of Seth. The suggestion, that Noria is “Maiden”, parthenos, Istar, Athena, Wisdom, Sophia, or Archamoth, seems worthy of consideration. http://essenes.net/gnostikoi.html

 

further: THE GNOSTIC THREEFOLD PATH TO ENLIGHTENMENT The Ascent of Mind and the Descent of Wisdom Novum Testamentum XXII, 4 (1980) by JOHN D. TURNER

 

Sethian Gnosticism a Literary history by JOHN D. TURNER

 

GNOSTICISM AND PLATONISM THE PLATONIZING SETHIAN TEXTS FROM NAG HAMMADI IN THEIR RELATION TO LATER PLATONIC LITERATURE by JOHN D. TURNER

TO SEE THE LIGHT: A GNOSTIC APPROPRIATION OF JEWISH PRIESTLY PRACTICE AND SAPIENTIAL AND APOCALYPTIC VISIONARY LORE

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